Salvatores and Ammaniti together again, then. But we are far from I'm not afraid. In that film, which remains one of the most beautiful in the film milanapoletano, there were a strength and a sincerity here that are missing altogether. Perhaps the novel was better then than today (I have not read As God Commands), the fact is that the work appears strained Salvatores, plaster, hard. I recognize him, as indeed I am not afraid to , extensive research on places and environments: the scenery and landscape (which is what the deep Friuli) are really disturbing, and just send much of that dark strangeness which is the soul of the film. The screenplay is very "compact", there is no breath of the characters in action - in the sense that they have no perspective, live as shut up in their homes cold and dark, or, indeed, a circle of mountains sick in a climate leaden gray and very distressing. It 's a movie that implodes, I would say: more folds in on itself, instead of opening to the possible escape routes, it is as if the director wanted to tell a story without narrative. Even the "tick" of the assembly, the truth is not really essential, originating from this rejection of the opening narrative.
E 'a successful film in half, as God commands : Because if he can transform the shape is essentially a storyteller can not the viewer. It could be yet another experiment Salvatores, who famously love to change language on almost every film, but here unfortunately lacks soul.
The performance of the actors are on this line: if it is effective in acting Filippo Timi, too "textbook" is that of Elio Germano, while it is quite unlikely Fabio De Luigi, and nothing more discreet performance of the young protagonist Alvaro Caleca .
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